Four points of emptiness


There are four voids worth discussing in manifestation–

The first void is the personal void; that inner space of our own thoughts and feelings; manifestation here is very limited in a certain range, but within that range is a great multitude of forms–

The second void is hollow earth; or that collective inner space, where we can see the interconnected workings of the collective and our role to it– The manifestation here is about alignment, and brings our ability to manifest new ways into the collective sphere– Such as the idea of deprograming– The narrative at this level is always collective, and is brought in collectively in the sense that the collective upholds the points to which we align to–

The third void is the inner space of the stars– This is the level of consciousness where the first void, second void; merge into the awareness of the formation of a star– Which means the ability to create things from the mind, using the resources of space as an existence– Star consciousness is still under the rule of the common narrative, in the sense that; we draw from the available substances from the collective narrative to create new arrangements that can begin to be considered new things in it of themselves–

The forth void is the totality of all these voids aligned; and it is, the ability to call in a new narrative, which allows for things to arrange themselves in a manner that is not limited to the collective narrative like above.. However, in this manner the new narrative manifest things in a manner that clarifies the narrative into the collective, that is, because the manifestation at this level does not follow the same rules and principles as nature has previously suggested; a new aspect of reality is brought into greater clarity by virtue of the way it DOES work–

To describe this whole feat in a different manner– Imagine there is a dark room with a pole that lights up in the middle– Whatever color this pole lights up as, illuminates the room in that color– The first void, is that present light visible and understood as illuminating the rest of the room–

The second void; is like being far away from being able to see the pole itself; and yet, being able to “follow” the coloring of the objects to its source light–

the third void; is like that pole does not exist, and yet one understands why the pole comes into form to be considered the source (that is, the visible pole reflects the invisible pole)– This is like being aware of how to change the color of the light, using a hidden seam that is everywhere, and yet nowhere; and yet to everything is somewhere, everywhere; and consequential where it is found–

the forth void is the visible manifestation of the invisible pole, which brings in a new light upon the visible poles; which we experience as conscious clarity–

The fourth void is like four different poles shining four different colors, changing in almost a completely random manner; and then manifesting a 5th pole, whos movement and light clarifies the movement of the four poles, making them no longer random, but understood; from chaos into order–

Narrative speech


The greater we can speak to the true context of the story, the more our language will transcend the limitations of language as we know it– This is partly why, everything brought down from these perfected realms so to speak, do not quite speak the truth; because they only reflect the context to a certain degree, and thus have a certain degree of conscious consequence–

When the words are spoken to our true nature, the whole of the reality around those words form a clarity; as if the words were illuminating everything around it at once– This is also in a sense, allowing people to understand a language even if they have never heard it before–

Now, narrative speech is a certain state; when the words spoken to the story are true, but true to the narrative in a different way; which allows us to move up out of the story as we perceive it and see the words highlight everything around us in a different way; suddenly we can deal with the story in incredibly different manners– This allows us to speak from the narrative, and consciously change the narrative of the story at hand– The moment the speech begins to change back into the substance of the story within the narrative, the correlations of the reality we perceive as it exists also changes back to the story– It is like moving out of the story and into the story without ever having really moved– just perceiving it differently– As the narrative speech is moved away from it is, forgotten in a certain manner like a dream, like that outlook of the narrative is no longer of vital consequence, and yet it is still there carrying everything we know playing out–


Distilling The Dew


So. an arrangement of imaginings which represent certain qualities.. which are imagined in many variations reveal a certain order between them.. like the spectrum of colors as we could better deal with them became clearly relational (in its “blending” and yet “multiplicity); created in several different “layers” which allow this color chart/spectrum to be.. “drained into each other” or collapsed upon each other–

The arrangement of the imagined, collapse the qualities into a distilled form, this distilled form is like a crystal.. It is solid in a certain sense, it is the fullness and emptiness– So, like the quality of the crystal, depends on how many qualities you have truly made conscious and to the degree in which you have made them conscious–

Why does it create the crystal? This crystal being empty and full, then can be seen in any place that is empty and full– However, what we are unconscious of hides what is still in all of it; but this crystal, having been condensed into this everything, but also being a thing within everything.. a thing that is surrounded by that which was not made conscious in it, however, because it is through everything brings it to a glow.. This glow, is the quality of the stone, reflecting itself into the unconscious, infinitely brings everything within itself, and so casts itself upon everything– I suppose this could be called projection.


So, lets say we are distilling youth so to speak– One way this would be done is to, imagine yourself in school– Now, in the grand scheme of things, this school is designed in a manner of continual growing up, but in the relationship of eternal firsts–

That is, your first class? “preschool or kindergarten” Right, then you advance past this, and find something a bit more to learn? but each time, the scale of the medium you realize you are learning in, is in such a manner that you are always still in preschool– That is, you do have this sense of growing up, there is this sense of progression, and yet that progression always stays centered at this eternal stage of the edge of all infinity to learn–

This is a distillation of a cosmic age; or non-linear age; since, we could also ultimately distill this the other way around into “elder”–

Now the idea as I have presented it, may give insight into the quality– however, it is only through realized imaginings of the nature of such a school, that our unconscious forces can be made clear– That is, in all that we are consciously doing, lays all the unconscious formations we are yet unaware of–

This means that as we imagine this school; we find certain formations arising inside of them in relation to each other; these unconscious formations cause the different imagined situations to have a relationship to each other– (like the sun and a sundial, the sun is what we are conscious of, and the shadow from the sundial reveals what we are unconscious of within what we are conscious of) and so these imaginings hold a true relationship to each other within our “elixir fields” we have imagined them in–

When we have sufficiently imagined the quality, so that there is a series of dazzling arrangements held together by invisible directions that can only be clarified by relation to each other, those qualities can be boiled down into a representation of them, that can then again extend itself into any arrangement that those qualities are being pointed to–


To me that is when we have accessed new arrangements of our archetypal being– That is, all of our life could come to us in an entirely new form; but if the forms are in the right relationships to each other, they can uphold the exact same familiarity– Which is what I was talking about above, when we have animated aspects of ourselves, or liberated aspects of ourselves, new memories within memories are revealed– Some people experience this as past lives, but if it is to a greater degree done, it becomes direct experiences, and eventually a living part of you in the moment that extends into all other moments (which might appear as memory)–